Nº. 1 of  775

beneath the rain, between the maps

greeneyes55:

Rue Gay Lussac Paris 
Photo: Raymond Grubb

greeneyes55:

Rue Gay Lussac Paris

Photo: Raymond Grubb


Cillian Murphy shows up looking like he’s in disguise. For a start, that beard: tufty and reddish, like he’s been on a desert island for a month. He is not willowy, as he comes across on-screen, but wiry and compact, five-foot-six at a guess. He is also wearing Ray Bans, which he keeps on for almost all of our interview — a crime, given those plunge-pool eyes of his. But he prefers not to be recognised. ‘Poor man,’ he says, of Robert Pattinson and his screaming fans. ‘I wouldn’t like that at all.’ (X)

Cillian Murphy shows up looking like he’s in disguise. For a start, that beard: tufty and reddish, like he’s been on a desert island for a month. He is not willowy, as he comes across on-screen, but wiry and compact, five-foot-six at a guess. He is also wearing Ray Bans, which he keeps on for almost all of our interview — a crime, given those plunge-pool eyes of his. But he prefers not to be recognised. ‘Poor man,’ he says, of Robert Pattinson and his screaming fans. ‘I wouldn’t like that at all.’ (X)

(Source: baudeleire, via jonny-greenwood)


People find their paths in the strangest of ways.

People find their paths in the strangest of ways.

(via suchasadaffair)

The Master

(via moraginpoison)

cavetocanvas:

Joan Snyder, Symphony, 1970

cavetocanvas:

Joan SnyderSymphony, 1970

― Roland Barthes, A Lover’s Discourse: Fragments

Roland Barthes, A Lover’s Discourse: Fragments

cavetocanvas:

Zao Wou-Ki, Untitled, 1967

cavetocanvas:

Zao Wou-Ki, Untitled, 1967

cavetocanvas:

Zao Wou-Ki, 1-3-60, 1960

cavetocanvas:

Zao Wou-Ki, 1-3-60, 1960

poboh:

Fire and Ice,  Angela Minkova.

poboh:

Fire and Ice, Angela Minkova.

Nº. 1 of  775